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On her website Eve wrote: "We arrived at Asakusa station and so our first stop was the Kaminari Mon, or `Thunder Gate` which leads to the Nakamise market and Sensoji temple. Our guide suggested we take a boat along the Sumida River to Hamarikyu gardens, and so our course was set. On the way, however, I noticed, down an alley, a little cafe called Arizona Kitchen, which I happened to know was one of the haunts of Nagai Kafu. I mentioned this and our guide suggested we have lunch there. On the menu was a strange dish of chicken liver, which, it said, Nagai Kafu used to eat when he came here. Since my vegetarianism has already been ruined by daily life in Japan, I only felt a minor sense of regret in ordering this. I suppose it`s silly, but it made me feel a little closer to one of my personal literary deities. On the wall of the cafe were extracts from Kafu`s diary. "January the 24th. Clear skies. Cloudy later. Dinner at Arizona Kitchen." That sort of thing."
Thanks to Wikipedia and other sources, this is what I have learnt about the man: "Nagai Kafu) was born Nagai Soukichi on December 4, 1879. He "was a Japanese novelist, playwright, essayist, and diarist. His works are noted for their depictions of life in early 20th-century Tokyo, especially among geisha, prostitutes, cabaret dancers, and other denizens of the city's lively entertainment districts." Tabismile writes: "March 10th 2007, I went to the Gallery ef. After a few minutes from scheduled time, the lights went out and the voices of survivors under the air raids came to my ear. Firstly, it was the conversations about their memories of childhood. However, it changed to memories of the war gradually. Dancer Suzuki quietly showed up as if it were bombers sneaking up on dark sky of Tokyo. The voices tell you the night of burning Tokyo. When the lights began flashing, he started dancing with slow and sometimes quick and hard motions. I imagined the people suffered from fires, they were running around with no way out. Each motion of the dance was extremely intense and representing the will or desire of people to their lives. Suddenly, the dance quieted down and the voices already changed to talking about the morning of day after the air raids. According to the survivors, there was nothing different between those who were killed and not killed, it was only a matter of luck. When you face war, your own will or hope does not mean anything. It is obvious that either in our daily life or on the road you can smile because you are in peace. 3.10 gives me a precious time. After the event, you can rediscover the meaning and importance of being in peace. I want to yell at all people involved in 3.10. ..." Shingo Inao wrote (in German and Japanese): "Kennst du Asakusa? "Asakusa ist eine alte Stadt in Japan. "Wenn ich doch meine Freundinnen oder Freunde nach Japan einladen wuerde, fahre ich wahrscheinlich nach Asakusa zuerst. "Tokyo ist zwar verrueckt u. interessant, aber eine von den Schoenheiten in Japan gibt es bestimmt hier. "Nun, komme ich zum Thema. "Heute bin ich also nach Asakusa mit einem Freund gefahren, um eine Live der Gallery ef zuzuhoeren. Zufaelligerweise hatte eine Freundin von mir eine Ausstellung hier, die ich bei der Live in Neues Kunsthaus Ahrenshoop, kennengelernt habe. "Die Live schien eigentlich ziemlich interessant zu sein. Und zwar Electronics und Gi-da-yu, eine von japanischer traditionellen Kunst..." "The Yoshiwara was home to some 1,750 women in the 1700s, with records of some 3,000 women from all over Japan at one time. The area had over 9,000 women, many of whom suffered from syphilis, in 1893. These women were often sold to the brothels by their parents at the age of about seven to twelve. If the young girl was lucky, she would become an apprentice to a high ranking courtesan. When the girl was old enough and had completed her training, she would become a courtesan herself and work her way up the ranks. The girls often had a contract to the brothel for only about five to ten years, but massive debt often kept them in the brothels their entire life. There were very few ways for a young lady to get out of the brothel due to all of her debt. "Social classes were not strictly divided in Yoshiwara. A commoner with enough money would be served as an equal to a samurai. Though it was discouraged for a samurai to enter the Yoshiwara area, they often did so anyway. The only requirement on them was that all their weapons had to be left at the town's entrance gate. Also by law, the patrons of the brothels were only allowed to stay for a night and a day at a time. "Yoshiwara also became a strong commercial area. The fashions in the town changed frequently, creating a great demand for merchants and artisans. Traditionally the prostitutes were supposed to wear only simple blue robes, but this was rarely enforced. The high-ranking ladies often dressed in the highest fashion of the time, with bright colorful silk kimonos and expensive and elaborate hair decorations. Fashion was so important in Yoshiwara that it frequently dictated the fashion trends for the rest of Japan." You would never guess from the dreary and drab state of Yoshiwara today, that it was once the fashion heart of Japan. It only goes to illustrate, how things change over time...
Arizona Kitchen: 1-34-2 Asakusa, Taito Ward. Phone: 03/3843 4932.
ASAKUSA RESTAURANTS AND CAFES arizona kitchen | ef gallery | gaboh | mugitoro
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